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Appalachian Learning Initiative
Recommended Reading Lists

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Spring 2025

Spring 2025 Recommendations - The image depicts a stylized sunset scene over a series of deep purple Appalachian mountain ranges. The sky transitions smoothly from vibrant purple at the top to warm orange near the horizon, where the sun sits low casting a soft glow. In the foreground, the silhouettes of the mountains create layered, undulating patterns. In the top left corner, white text reads “This spring, read a book about Appalachia.” In the bottom left corner, the APPLI logo is displayed, featuring a blue and yellow geometric design with "APPLI" written beneath it. In the bottom right corner, social media icons are presented with the text “Follow us @APPLIOrg.”
Book cover for A Union for Appalachian Healthcare Workers: The Radical Roots and Hard Fights of Local 1199

A Union for Appalachian Healthcare Workers: The Radical Roots and Hard Fights of Local 1199

John Hennen

The union of hospital workers usually referred to as the 1199 sits at the intersection of three of the most important topics in US history: organized labor, health care, and civil rights. John Hennen’s book explores the union’s history in Appalachia, a region that is generally associated with extractive industries but has seen health care grow as a share of the overall economy.

With a multiracial, largely female, and notably militant membership, 1199 was at labor’s vanguard in the 1970s, and Hennen traces its efforts in hospitals, nursing homes, and healthcare centers in West Virginia, eastern Kentucky, and Appalachian Ohio. He places these stories of mainly low-wage women workers within the framework of shake-ups in the late industrial and early postindustrial United States, relying in part on the words of Local 1199 workers and organizers themselves. Both a sophisticated account of an overlooked aspect of Appalachia’s labor history and a key piece of context for Americans’ current concern with the status of “essential workers,” Hennen’s book is a timely contribution to the fields of history and Appalachian studies and to the study of social movements.

Book cover for Never Justice, Never Peace: Mother Jones and the Miner Rebellion at Paint and Cabin Creeks

Never Justice, Never Peace: Mother Jones and the Miner Rebellion at Paint and Cabin Creeks

Ginny Savage Ayers & Lon Kelly Savage

In 1986 Lon Savage published Thunder in the Mountains: The West Virginia Mine War, 1920–21, a popular history now considered a classic. Among those the book influenced are Denise Giardina, author of Storming Heaven, and John Sayles, writer and director of Matewan. When Savage passed away, he left behind an incomplete book manuscript about a lesser-known Mother Jones crusade in Kanawha County, West Virginia. His daughter Ginny Savage Ayers drew on his notes and files, as well as her own original research, to complete Never Justice, Never Peace—the first book-length account of the Paint Creek–Cabin Creek Strike of 1912–13.

Savage and Ayers offer a narrative history of the strike that weaves together threads about organizer Mother Jones, the United Mine Workers union, politicians, coal companies, and Baldwin-Felts Detective Agency guards with the experiences of everyday men and women. The result is a compelling and in-depth treatment that brings to light an unjustly neglected—and notably violent—chapter of labor history. Introduced by historian Lou Martin, Never Justice, Never Peace provides an accessible glimpse into the lives and personalities of many participants in this critical struggle.

Book cover for The Harlan Renaissance: Stories of Black Life in Appalachian Coal

The Harlan Renaissance: Stories of Black Life in Appalachian Coal

William H. Turner

A personal remembrance from the preeminent chronicler of Black life in Appalachia.

The Harlan Renaissance is an intimate remembrance of kinship and community in eastern Kentucky’s coal towns written by one of the luminaries of Appalachian studies, William Turner. Turner reconstructs Black life in the company towns in and around Harlan County during coal’s final postwar boom years, which built toward an enduring bust as the children of Black miners, like the author, left the region in search of better opportunities.

The Harlan Renaissance invites readers into what might be an unfamiliar Appalachia: one studded by large and vibrant Black communities, where families took the pulse of the nation through magazines like Jet and Ebony and through the news that traveled within Black churches, schools, and restaurants. Difficult choices for the future were made as parents considered the unpredictable nature of Appalachia’s economic realities alongside the unpredictable nature of a national movement toward civil rights.

Unfolding through layers of sociological insight and oral history, The Harlan Renaissance centers the sympathetic perspectives and critical eye of a master narrator of Black life.

Book cover for I'm Afraid of That Water: A Collaborative Ethnography of a West Virginia Water Crisis

I'm Afraid of That Water: A Collaborative Ethnography of a West Virginia Water Crisis

Luke Eric Lassiter (Editor), Brian A. Hoey (Editor), & Elizabeth Campbell (Editor)

On January 9, 2014, residents across Charleston, West Virginia, awoke to an unusual licorice smell in the air and a similar taste in the public drinking water. That evening residents were informed the tap water in tens of thousands of homes, hundreds of businesses, and dozens of schools and hospitals—the water made available to as many as 300,000 citizens in a nine-county region—had been contaminated with a chemical used for cleaning crushed coal.

This book tells a particular set of stories about that chemical spill and its aftermath, an unfolding water crisis that would lead to months, even years, of fear and distrust. It is both oral history and collaborative ethnography, jointly conceptualized, researched, and written by people—more than fifty in all—across various positions in academia and local communities. I’m Afraid of That Water foregrounds the ongoing concerns of West Virginians (and people in comparable situations in places like Flint, Michigan) confronted by the problem of contamination, where thresholds for official safety may be crossed, but a genuine return to normality is elusive.

Book cover for Remaking Appalachia: Ecosocialism, Ecofeminism, and Law

Remaking Appalachia: Ecosocialism, Ecofeminism, and Law

Nicholas F. Stump

A critical legal scholar uses feminist and environmental theory to sketch alternate futures for Appalachia.

Environmental law has failed spectacularly to protect Appalachia from the ravages of liberal capitalism, and from extractive industries in particular. Remaking Appalachia chronicles such failures, but also puts forth hopeful paths for truly radical change.

Remaking Appalachia begins with an account of how, over a century ago, laws governing environmental and related issues proved fruitless against the rising power of coal and other industries. Key legal regimes were, in fact, explicitly developed to support favored industrial growth. Aided by law, industry succeeded in maximizing profits not just through profound exploitation of Appalachia’s environment but also through subordination along lines of class, gender, and race. After chronicling such failures and those of liberal development strategies in the region, Stump explores true system change beyond law “reform.” Ecofeminism and ecosocialism undergird this discussion, which involves bottom-up approaches to transcending capitalism that are coordinated from local to global scales.

Book cover for I Hate It Here, Please Vote for Me: Essays on Rural Political Decay

I Hate It Here, Please Vote for Me: Essays on Rural Political Decay

Matthew Ferrence

When a progressive college professor runs for the Pennsylvania House of Representatives in a deeply conservative rural district, he loses. That’s no surprise. But the story of how Ferrence loses and, more importantly, how American political narratives refuse to recognize the existence and value of nonconservative rural Americans offers insight into the political morass of our nation.

In essays focused on showing goats at the county fair, planting native grasses in the front lawn, the political power of poetry, and getting wiped out in an election, Ferrence offers a counter-narrative to stereotypes of monolithic rural American voters and emphasizes the way stories told about rural America are a source for the bitter divide between Red America and Blue America.

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